In episode 90 of our top-rating podcast, So you want to be a writer, hosts Allison Tait and Valerie Khoo named their favourite three interviews for 2015 (well, Allison named four because she’s a rebel). You’ll find out what made these interviews so great and why you should listen (or re-listen
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, it’s all about thanking you…
If you have work commitments that make it difficult to find the time to write, take heart: not only have some of the world’s most famous authors managed to balance writing books with a day job, but sometimes those day jobs have actually inspired their books. That’s the message from
In Episode 90 of So you want to be a writer: Margaret Atwood is writing a graphic novel, writing rituals and why they work, tips on how to get to know your characters and the intricacies of naming them well, and the book Worst Words by Don Watson. PLUS: our 12 Days
Dear Santa, How’s things? It feels like it’s been, what, a year since we last caught up? Wow, yes, I think it may have been exactly this time last year. I’m sure the elves will have grown and I hope Rudolph’s nose is not still giving you grief. You really
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we finally gift wrap one
In Episode 89 of So you want to be a writer: Do you mourn the loss of a character? How to write a killer elevator pitch for your book, 10 over-writing traps to avoid, tell us your 2016 writing goal, and how to enter our “12 Days of Christmas” giveaway. Also: tips
Tis the season to be reading, fa la la etc. And here at the Australian Writers’ Centre, we want your holidays to be happy and filled with lazy afternoons in hammocks, rainy days on couches or late night “just one more chapter” sessions in bed. And to do that, you’re
This post is written by Cathie Tasker, expert picture book editor and presenter of the course Writing Picture Books at the Australian Writers’ Centre. The Children’s Book Council of Australia is a voluntary-run, non-profit organisation dedicated to promoting books, authors and illustrators. Their mission is “to engage the community with literature for young
Kill Your Darlings are looking for a Contributing Editor to join their team for 2016! They’d love someone to write in one area. Potential areas of interest they’d love to hear from include: politics, society, film and TV, books and writing, pop culture, gaming and technology, music, sport, and art.
Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we’re a little tongue-tied… Q:
Living on a farm and juggling her responsibilities as a busy mother, Fleur Ferris always wanted to write books. And since completing the five-week online course in Writing Books for Children and Young Adults at the Australian Writers’ Centre, Fleur landed a book deal, scored an agent and has gone on to publish
In late 2015, Allison Tait caught up with picture book author Danny Parker for a chat as part of our So you want to be a writer podcast. Danny and his family have been in Australia since 2004 – arriving from the UK on something of an adventure and never
This position has now been filled – thanks for your interest! The Australian Writers’ Centre team is growing and we have room for a full-time Office All-rounder. Please note: This role is not a writing-based role. This role won’t be a stepping stone for you to publish your novel – but you
In Episode 88 of So you want to be a writer: Why publishers are giving million dollar advances to debut novelists. Should you write for love or money? Book hotels are now a THING. Also: why a female author wanted a male voice actor to narrate her books. WIN a copy of
We’ve been given a Licence to Win this week, with two copies of The Man With the Golden Typewriter (published by Bloomsbury, RRP $29.99) to give away. The book explores the origins of James Bond and follows author Ian Fleming’s progress as he typed (on his golden typewriter) the initial
“Eighteen months ago, if someone had said to me you’re going to be doing freelance writing, I probably would have brushed it off and said ‘no way’…” And yet today Josefa Pete, busy mum to two boys, proudly calls herself a freelance writer, without a moment’s hesitation. So what changed?
Writing dialogue can be tricky at the best of times. But when you are writing a screenplay, it’s vital you get the right mix of realism, exposition and character development. So what can you do to ensure the dialogue you write hits the mark? 1. Be realistic with being real
Each week here at the Australian Writers’ centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we’ll get there, one way
I have a confession to make. If there is one thing I enjoy just as much as reading a great book, it’s a great film that has a writer as one of its protagonists. I guess it’s that element of curiosity from a fellow writer to see exactly how this
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